Talia Chetrit’s got a passion for technique.  Except she’s not always sure what to expect in terms of results.  Oh, she’s technically trained, all right.  Having plowed through all the proper schooling--Chetrit received an undergraduate degree from The School of the Art Institute of Chicago and an MFA from Rhode Island School of Design -- she’s no novice for process.  But for Talia, playful experimentation beats university-related qualifications any day. 

Perhaps this is due to Chetrit’s early experiences in the darkroom.  At 15, Talia’s mother, along with the help of a photographer uncle, installed one in the house.  This room quickly became a sanctuary - an undisputed safe place.  NO INTRUDERS—this is a freaking darkroom.  Talia spent countless hours in this place, playing around, getting serious and ultimately honing in on vital skills that, to this day, define her work.  

Curiosity and wonderment are huge in Chetrit’s work.  “There are two moments I love the most: When an idea slaps me in the face, and when I see my negatives for the first time.”  Hearing her describe the experience, it’s as if the anticipation derived from waiting to even see the negs acts as a catalyst for producing the next roll of film.  

Grappling with the presentation of all the various forms of reality is a challenge the artist takes on daily.  “It’s really important to me to re-evaluate the many ways there are to relay information,” says Chetrit.  “I’m interested in how reality can be translated and how that reality can become disorienting through the medium of photography.”  

Chetrit is constantly experimenting.  She revels in it.  “I like the not knowing” she explains.  I can’t help to think this idea extends to those formative years spent in the darkroom.  Such a perfect opportunity to really get in there and discover the unknown with a not yet tainted young mind.  To just have at it without restrictions or responsibilities.  Plus, having a certain level of comfort making mistakes is a fantastic way to get around a block of inspiration.  “I learn so much from the really horrible pictures I’ve made and every once in a while I end up coming back to them,” explains Chetrit.  Having her first solo show almost wrapped up at Renwick Gallery, Chetrit isn’t concerned about finding stuff to do.  “I’m trying to pre-empt the post-show depression I’ve heard so much about from friends,” she says.  “I’m working on some new stuff in an attempt to avoid it as much as possible. Maybe do some Yoga?”